Appropriately funky and salacious piano boogie workout, which for some reason reminds me a little of "Take Me to the Pilot" but without the Buckmaster strings. It does feature the chorus vocals prevalent in his music at this time, along with a first (at least to my knowledge): a sax solo. Lyrically, it's a simple come-on, nothing fancy even though there's some odd references to "paying alimony" in the first verse, not a subject you'd think someone would breach when pitching woo.
Obviously, as Taupin notes in the Rare Masters booklet, one of the tunes designed to appear "in the movie whenever someone turned on the car radio, or something". Even though it's an obscure track, it's a pretty good one considering its humble beginnings.
Saturday, March 22, 2008
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